So we go on. I went to my acupuncturist today and he did the routine needling and cupping. I taught my last short story class at Intellectual University. We had student reports and student work and didn't have time to talk about Bartleby, the Scrivener. This is something I hadn't thought of: "He just dies ever so passively, ever so politely, passing into the next world leaving no blood on anyone’s hands." He is a gentleman down to the end. I don't think that's the essence of the story, though. I think the essence is how a man can be so beaten down by the system, by the walls (as it has been pointed out) bearing in on his office window, by the impersonality of industrial capitalism (in that way, no blood on any specific person's hands). But if you do examine his politeness and passivity (which is not the same as passive-aggressiveness or passive resistance), you might be reminded of I.L. Peretz' Bontshe the Silent, who asked for nothing on earth, and when he dies and goes to heaven, asks for nothing more than a hot roll and butter every day. The heavenly beings rebuke him for his modest request. In one translation from the Yiddish: "...slowly the judge and the angels bend their heads in shame at this unending meekness they have created on earth."
In one sense, Bartleby wasn't meek. He wanted to be passive, he wanted to do nothing, he wanted to live in his employer's office, he wanted to refuse. He was able to live as he wanted (according to his own narrow concept of desire, or simply his concept of what was possible) up until a point. His employer let him live as he liked, until the employer was embarrassed, until others were outraged. But Bartleby was meek in his desires. He had stopped desiring as others did, and required only the bare necessities. His desire had dried up so much that it could express itself only as a preference "not to." He could only respond. He could not utter that most elemental phrase that babies learn instinctively: "I want."
No comments:
Post a Comment